{"id":16637,"date":"2025-09-24T09:57:57","date_gmt":"2025-09-24T00:57:57","guid":{"rendered":"https:\/\/rpgbakin.com\/?p=16637"},"modified":"2025-12-03T14:50:33","modified_gmt":"2025-12-03T05:50:33","slug":"%e3%82%b2%e3%83%bc%e3%83%a0%e4%bd%9c%e3%82%8a-%e5%a7%8b%e3%82%81%e3%81%9f%e5%83%95%e3%82%82-%e5%a4%a7%e5%8b%9d%e5%88%a9-2","status":"publish","type":"post","link":"https:\/\/rpgbakin.com\/en\/blog\/made-with-bakin\/16637","title":{"rendered":"The Plot is the Map, Creation is the Quest \u2014 Tracing the Journey Towards the Rebuild of 'REINES DU SABBAT'"},"content":{"rendered":"\t\t
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MAKOTO KEDOUIN\u2019s One-Person Indie Game Workshop<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Made with RPG Developer Bakin \u2013 Dev Blog #3<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The sample game development project using RPG Developer Bakin<\/em> is now entering its core phase: story creation.
In this installment, we follow Makoto Kedouin<\/em> as he embarks on the rebuild of \u201cReines du Sabbat\u201d<\/em>, sharing his creative journey in diary form\u2014revealing how he constructs the narrative foundation through plot development, flowcharts, and character design.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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MAKOTO KEDOUIN<\/h6>

He is a Japanese game creator and scenario writer. He was born in Amagasaki City, Hyogo Prefecture. He first gained attention as a student with his self-made horror game Corpse Party, which began as a doujin (indie) project and was later developed into a commercial title.
The series has since expanded beyond games into novels, drama CDs, anime, and more, earning critical acclaim both in Japan and internationally.<\/p>

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Day 30 of Development\u2014 in September About \"REINES DU SABBAT\" <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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And so, the project to \u201ccreate an interesting sample game within a limited time\u201d continues\u2014using every bit of RPG Developer Bakin (hereafter referred to as “Bakin”), developed by SmileBoom.
Completely unaware of the terrifying fate awaiting me\u2026 as I tumble into an inescapable creative swamp.

The direction for the next game has been decided: it will be a rebuild of one of my earlier titles, “REINES DU SABBAT.” But for those of you reading this article, many probably aren\u2019t familiar with the game. So before diving into the remake itself, I\u2019d like to give a brief overview.

“REINES DU SABBAT” is a fantasy RPG I, KEDOUIN, originally developed for the PC-9801. It was even included on a bonus CD for LOGIN SOFCOM Magazine\u2014a “hidden gem” known to a small but passionate audience. It was the first time I ever took the world inside my head and turned it into something others could experience. A deeply personal project, and one I hold close to my heart.

Even back then, my style hadn\u2019t changed much: the story features a cute, cat-eared girl as the protagonist, who sets out on a journey to find a mythical herb to save her sick older brother.<\/p>

It\u2019s a heartwarming, gentle tale\u2014yes, almost like a picture book.<\/p>

\u2026At least, on the surface.<\/p>

Underneath that charming veneer lies a mercilessly grim and gruesome narrative. Not that I was trying to be edgy or go for shock value\u2014it just turned out that way when I poured in all the things I love.<\/p>

I apologize in advance. It\u2019s a bit of a problem, I know.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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“REINES DU SABBAT”: KEDOUIN\u2019s first game project. Behind its hopelessly brutal developments lies the early glimpse of KEDOUIN\u2019s current creative style.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 35 of Development\u2014 in September [Series] Come on Over to KEDOUIN\u2019s Crossing <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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<\/p>

“Come on Over to KEDOUIN\u2019s Crossing” is a segment where I introduce my personal collection room\u2014affectionately (and fearfully) referred to by GrisGris members as “the haunted house.”<\/p>

Last time, I shared my treasured incense burner replica from the film Midsommar. But there\u2019s another item that\u2019s just as dear to me.<\/p>

It\u2019s also movie-related: a teddy bear from The Blair Witch Project, the film that helped spark the boom of mockumentaries and POV horror in the late \u201990s. This particular item is called the \u201cMISSING BEAR\u201d, manufactured by the amazing folks at Medicom Toy.<\/p>

With a little \u201cstickman\u201d (a.k.a. the Witch\u2019s Mark from the film) stitched onto its mouth, the bear has this wonderfully vacant expression\u2014kind of like old-school ASCII art from early internet days.The fabric is also covered in handprints, representing the kidnapped victims from the film. It’s disturbing, eerie\u2026 and yet somehow cool.It\u2019s a rare piece of merch that nails the balance between cursed and collectible.<\/p>

I mean, seriously\u2014isn\u2019t it kind of ridiculously adorable?<\/p><\/div>

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THE BLAIR WITCH PROJECT MISSING BEAR by Medicom Toy.KEDOUIN once tried turning their office into a forest by looping ambient soundscapes from The Blair Witch Project. Our boss, understandably disturbed, asked, \u201cWhat on earth is that sound?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 38 of Development\u2014 in September Let\u2019s Write a Story! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u3000This time, the game we’re creating will be positioned as a Bakin sample game. Once completed, the game data itself will be freely available for users to use as assets. Look forward to it!
\u3000Since it\u2019s a sample game, the story will mainly focus on the \u201cbeginning\u201d of a larger narrative. My hope is that many of you will take these characters and expand their world\u2014write sequels, side stories, or entirely new adventures, and share them with the world.
And if you end up selling your game? I\u2019ll be first in line to buy it. Seriously.<\/p>

That\u2019s why worldbuilding is so important. Even though this project is \u201cthe beginning of the story,\u201d it still needs its own structure\u2014beginning, middle, and end\u2014to make it an engaging experience.<\/p>

So\u2026 let\u2019s start with the very first step of worldbuilding, just like I did in The Legend of ORE:
Plot construction.<\/p>

Here\u2019s the basic breakdown:<\/p>

-This kind of character is the protagonist
-They go through this kind of situation
-They face it in this way
-And then this happens
-Someone dies<\/p>

We\u2019ll use this simple flow to deconstruct the original “SABBAT” and build a fresh plot tailored for the sample game.<\/p>

From experience, when using an RPG creation tool, it helps immensely to write a rough plot\u2014even just one line per section\u2014before you dive into the tool itself.<\/p>

Yes, it can be super fun to design maps and towns and make up events as you go, letting the story evolve organically. Sometimes, it turns into a runaway storytelling monster that even you can’t predict\u2014and that\u2019s a total blast!<\/p>

But when you finally come up with the perfect ending, it can be a real pain to go back and make everything fit. So having at least a loose \u201cguide\u201d can save your future self a lot of trouble. Just a bit of wisdom, there.<\/p>

That said\u2014everyone creates differently.
Trust yourself, and enjoy your best Bakin-life!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Although a plot was written for the original “REINES DU SABBAT”, it was rarely followed in the end.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 40 of Development\u2014 in September Build a Flow! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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This is also something I\u2019ve learned from experience:
When you build a story as you go, based purely on inspiration, you will eventually hit a wall.
\u201c…Wait, is this even fun anymore?\u201d
\u201cI probably should\u2019ve pulled the story in that direction after that earlier event.\u201d
\u201cShould I go back and rewrite everything?\u201d
\u201cBut I kinda like how things are now too\u2026 What do I do?\u201d<\/p>

Yep. It happens.<\/p>

That\u2019s why writing a plot beforehand is a great safety net. It helps keep your story anchored and gives you a clear direction.<\/p>

Once your plot is in place, try building a flowchart, just like you would when structuring events in Bakin. You can make it super simple\u2014just enough to keep track of the narrative flow\u2014or go full detail and even include dialogue. Either way, it becomes your blueprint for development, and it will absolutely save you down the line.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A plot flowchart. Much easier to organize story development here than keeping it all in your head. Highly recommended.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I, KEDOUIN, despite having some experience, still manage to completely ignore the plot I planned out. Sadly, this isn’t exactly the best example to follow.

Once your flowchart is ready, the next step is to list out the maps you\u2019ll need. Extract them from your flowchart and start compiling a list.<\/p>

Etc.
Examples:
-Plumfield (grasslands)
-Dungeon
-Lou\u2019s Den<\/p>

\u2026and so on.

Doing this gives you a better picture of the total workload, and helps turn vague ideas into concrete progress. It might sound like a tedious task\u2014but trust me, it\u2019s surprisingly fun.

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Day 44 of Development\u2014 in September A Deeply Unsettling Figure Has Arrived! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Whether you’re writing game scenarios or aiming to be a screenwriter, one thing\u2019s for sure: you should experience everything. All of it becomes creative fuel\u2014an idea stockpile inside your mind.<\/p>

Even something as simple as grabbing a new seasonal frappuccino at a local caf\u00e9 can be inspiring. You might overhear a random conversation that sparks a story idea.<\/p>

For example, I (KEDOUIN) once got invited to a friend\u2019s live performance. While I was truly blown away by their stage presence\u2014\u201cAmazing! So cool! So beautiful!\u201d\u2014at the same time, I couldn’t help but think:<\/p>

\u201cWhat if a long-haired ghost suddenly fell from the ceiling lights?\u201d<\/p>

As part of my many hobbies, I also collect figures. And today, something delightfully strange arrived. A cartoon-style figure of the Grady Twins from The Shining, produced by NECA. They\u2019re reimagined in a comic-art style\u2014adorable, but still deeply creepy. Starting today, I\u2019ll be staring these two down while I work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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From NECA\u2019s \u201cToony Terrors\u201d series\u2014a cute-but-creepy spin on horror movie icons. If you\u2019ve got a favorite slasher or killer character, I highly recommend checking it out.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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My room, by the way, has earned several nicknames from friends\u2014most notably \u201cThe Haunted House,\u201d and, more ominously, \u201cKEDOUIN\u2019s Doll Museum.\u201d Yes, I\u2019ve commissioned 1\/6 scale figure heads modeled after real people I know. I once gave one as a birthday gift. (Naturally, I made a copy for myself, too.)<\/p>

Now I\u2019ve got a bunch of my acquaintances lined up as figures on my shelves. Honestly, I think I finally understand where Madame Tussaud was coming from.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 47 of Development\u2014 in September Time to Design Characters! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Once the plot has started to take shape, it\u2019s time to move on to character design\u2014one of the absolute best parts of game development.<\/p>

Sure, you can analyze current trends and try to make a character that \u201cpops\u201d in the market, but in a project like this\u2014where the whole point is to bring your inner world to life\u2014it\u2019s way more important to fill your characters with what you love.
Even if it\u2019s niche, that\u2019s okay. I\u2019m here to understand that character.
And chances are, there are people out there with the same oddly specific tastes who will be deeply moved by it.<\/p>

You can illustrate your character designs yourself, or work with an illustrator.
If you go the latter route, make sure to communicate your vision as clearly as possible to avoid any disconnect. Put in the effort\u2014it\u2019s worth it!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Even in \u201cCorpse Party,\u201d numerous images and fantasies involving characters and props were created.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 49 of Development\u2014 in September This Is Cat Harassment! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u201cWhat are you doing, Dad?\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cWhere\u2019s my food?\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Day 50 of Development\u2014 in September Let\u2019s Pixel! <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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For over a decade now, there\u2019s been a style of working that I\u2019ve had to suppress. But when it comes to pixel art, I can finally unleash it again.<\/p>

What is it, you ask?<\/p>

Listening to music while I work!
And I mean, this makes me so happy.<\/p>

When I\u2019m writing scenarios or scripts, songs with lyrics tend to pull my brain in the wrong direction, so it\u2019s hard to multitask.
But drawing? Totally fine!<\/p>

So I cranked up my favorite tracks and dove into the pixel work.

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Since I\u2019m drawing RPG character sprites, I started with a base model\u2014a blank, undressed mannequin. Bakin\u2019s character animation system allows for virtually unlimited sizes and frames. If you want to keep it simple, two frames\u2014\u201cright leg forward, left leg forward\u201d\u2014can already give the illusion of walking.<\/p>

But no.<\/p>

The sample character “Hero-kun” uses a 6-frame walk and dash animation, and that\u2019s why he moves so beautifully and fluidly.
So of course, I decided I\u2019d aim for that same level of polish for my Sabbat character: 6-frame animation it is.

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This\u2026 this is where the “swamp” I mentioned in the Day 30 Dev Log begins.<\/p>

Once you start animating, you suddenly want the hair and clothes to move.
You want the idle pose to breathe.
You want blinking eyes…<\/p>

And then the rabbit hole opens wide, and you fall straight in.

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As I was spiraling, I received some wisdom from my mentor, former deputy editor Sugiuchi:<\/p>

\u201cCreators should aim for 70%\u2014or it\u2019ll never get finished.\u201d<\/p>

This struck a chord. I decided to focus my love and effort into animating only the essential parts.<\/p>

(Thank you, Sugiuchi!)<\/p>

\u2026And yet, even then, I couldn\u2019t resist obsessing. I spent way too long on this step and ended up falling behind\u2014leading me straight into the “panic production sprint” phase of the journey.<\/p>

But that\u2019s a story for another time\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Pixel sprites that got flagged as \u201csensitive\u201d because I overdid the details\u2014even though they were just base models.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 52 of Development\u2014 in September Into the Journey Together <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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As I mentioned in the early days of this blog, sometimes the best way to conquer the grand adventure of game development is to form a party\u2014and bring in trusted allies.<\/p>

With a tight deadline this time around, I\u2019ve enlisted the help of a few reliable collaborators to work alongside me, especially for key assets like backgrounds and music. I\u2019m sharing my vision and creative preferences with them, and we\u2019re moving forward together in true co-op spirit.<\/p>

Character designs are also nearing completion, and I\u2019ll be showcasing those in the next installment.<\/p>

Stay tuned for more updates on the rebirth of REINES DU SABBAT!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

\u3082\u3063\u3068\u4f5c\u308a\u305f\u3044 vs \u6642\u9593\u304c\u306a\u3044\uff01 \u5236\u4f5c\u73fe\u5834\u306e\u632f\u308a\u8fd4\u308a<\/a><\/h3>

\u7941\u7b54\u9662\u614e\u306e\u4e00\u4eba\u89aa\u65b9\u30b2\u30fc\u30e0\u5de5\u623f \u958b\u767a\u30d6\u30ed\u30b0\u300cMade with RPG Developer Bakin\u300d\u7b2c6\u56de […]\n<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

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\u7941\u7b54\u9662\u614e\u306e\u4e00\u4eba\u89aa\u65b9\u30b2\u30fc\u30e0\u5de5\u623f \u958b\u767a\u30d6\u30ed\u30b0\u300cMade with RPG Developer Bakin\u300d\u7b2c\uff15\u56de […]\n<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

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