{"id":17215,"date":"2025-11-27T11:00:20","date_gmt":"2025-11-27T02:00:20","guid":{"rendered":"https:\/\/rpgbakin.com\/?p=17215"},"modified":"2025-12-03T14:51:18","modified_gmt":"2025-12-03T05:51:18","slug":"%e3%80%8c%e3%82%b2%e3%83%bc%e3%83%a0%e4%bd%9c%e3%82%8a%e3%82%82%e3%80%81%e3%82%b5%e3%83%90%e3%83%88%e3%81%bf%e3%81%9f%e3%81%84%e3%81%aa%e3%82%82%e3%81%ae%e3%81%a0%ef%bc%81%e3%80%8d%ef%bc%88%e9%96%8b","status":"publish","type":"post","link":"https:\/\/rpgbakin.com\/en\/blog\/made-with-bakin\/17215","title":{"rendered":"Break Through! Master Up!"},"content":{"rendered":"\t\t
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MAKOTO KEDOUIN\u2019s One-Person Indie Game Workshop<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Made with RPG Developer Bakin \u2013 Dev Blog #5<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The sample game project in \u201cRPG Developer Bakin\u201d has finally entered its home stretch\u2014the polishing phase. Yet as KEDOUIN experiments with camera work, tweaks rendering settings, and struggles through the creation of mini-games, time seems to melt away in an instant. He worries, he detours, and before he knows it, another night has passed.
Please enjoy this record of KEDOUIN\u2019s creative days\u2014full of trials, meanderings, and delightful chaos.<\/div>

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MAKOTO KEDOUIN<\/h6>

He is a Japanese game creator and scenario writer. He was born in Amagasaki City, Hyogo Prefecture. He first gained attention as a student with his self-made horror game Corpse Party, which began as a doujin (indie) project and was later developed into a commercial title.
The series has since expanded beyond games into novels, drama CDs, anime, and more, earning critical acclaim both in Japan and internationally.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Day 83 of Development \u2014 in November \u2013 A New Obsession: Camera Work <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Our little project\u2014\u201cUse RPG Developer Bakin (hereafter Bakin) to make some kind of interesting sample game in a limited time!\u201d\u2014is well underway.<\/p>

And suddenly, I\u2019d like to share something I\u2019ve recently become obsessed with!<\/p>

It\u2019s Bakin\u2019s camera work! Woo-hoo! \ud83d\udc4d\ud83d\udc4d\ud83d\udc4d<\/p>

Now that development has reached Day 80, my \u201ccreative delirium mode\u201d is hitting its peak, and after sinking into pixel art, I\u2019ve now fallen headfirst into a brand-new swamp: camera work.<\/p><\/div>

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A highly capable camera tool. The technical terms can be confusing at first, but once you start experimenting, everything quickly makes sense.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In past 2D tools, fixed camera angles were the norm. But Bakin is 3D. Tilt the angle by three degrees, adjust the movement just a little\u2014and the same map looks like an entirely different production.<\/p>

Today I was working on a scene in a \u201cForest Spring,\u201d and as I kept adding new entries to the camera list\u2014tweaking depth of field for distant blur, tuning lighting, chromatic aberration, overall lens angle\u2026<\/p>

I kept falling into an endless loop of:<\/p>

\u201cThis isn\u2019t it\u2026 No, maybe this? \u2026Wait, no\u2026\u201d<\/p>

Then I learned I could add as many keyframes as I wanted and animate the camera itself.<\/p>

Which, of course, led me straight into experimenting with cinematic cuts.<\/p>

Naturally, I failed repeatedly\u2014but as I finally got the hang of it, the next obsession struck:<\/p>

\u201cI want the camera movement to be silky smooth!\u201d<\/p>

And from there, the layers of obsession just kept piling on.<\/p>

Man, it\u2019s fun. Like, really fun.<\/p>

The result?<\/p>

It took me a full two days just to build one important story scene that serves as a major narrative key in the game.<\/p>

But dramatic scenes really do change emotionally with combinations of close-ups, wide shots, overheads, roll angles\u2026<\/p>

Even inserting a tiny 0.5-second pause before a monologue, and aligning a single camera frame to it, can completely change how the character\u2019s feelings are read.<\/p>

Of course I want to get it right. I should get it right. I refuse to compromise.<\/p>

But there\u2019s no time!

<\/p>

To make things worse, Mr. Sugiuchi from the team keeps asking every single day:<\/p>

\u201cHow\u2019s the progress today?\u201d<\/p>

The pressure is real\u2026!<\/p>

\u00a0<\/p>

\u2014What will you do, KEDOUIN!?<\/p>

\u2026\u2026Hmm? No, the answer is obvious.<\/p>

\u00a0<\/p>

\u2014I just won\u2019t sleep.<\/p>

(Do not try this at home. Performed by a highly trained professional.)<\/p>

\u00a0<\/p>

And so, I completed the perfect one-cut scene.<\/p>

Even I found myself admiring it, mumbling with my half-asleep brain, \u201cMaybe I\u2019m actually suited for scripting and direction\u2026\u201d<\/p>

And then I dove straight into the next swamp\u2014the next event scene waiting for me.<\/p>



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Day 87 of Development \u2014 in November \u2013 A Sneak Peek at the Protagonist\u2019s Home <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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<\/p>

In many sample games, the story often begins in the protagonist\u2019s home.<\/p>

Maybe that\u2019s why I can\u2019t help but pour extra energy into designing this \u201cmost important map.\u201d<\/p>

Too spacious and moving around becomes tedious; too cramped and it feels unsatisfying.<\/p>

Since this time I added a dash mechanic, I\u2019m aiming for that perfect balance where exploring the whole place feels good as you move through it.<\/p>

\u00a0<\/p>

So there I was, muttering things like,<\/p>

\u201cDo I need this room? Is a bathroom essential? \u2026Yeah, of course it is!\u201d<\/p>

\u2014repeating these creepy monologues to myself in a stylish caf\u00e9 (working on my laptop), completely absorbed in building this mansion.<\/p><\/div>

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The head maid\u2019s room. You can inspect various objects throughout the area.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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And this time, the plan includes \u201ca whole bunch of maid NPCs,\u201d which is basically a dream spec shared by both Mr. Sugiuchi and me.<\/p>

Should each one have different lines when you pass them in the hallway?<\/p>

How much individuality do I give them?<\/p>

Once I start fussing over these details, there\u2019s no going back.<\/p>

\u00a0<\/p>

At the center of all this is the head maid\u2014a strong-willed girl who\u2019s harsh toward the protagonist but secretly cares about her more than anyone.<\/p>

To create that kind of character, I kept staring at her expression variations, imagining myself wearing the same expression as I came up with her lines, then moved on to crafting the scene direction\u2026 and before I knew it, it was already way past midnight again.<\/p>

Riding that momentum, I even started creating a small \u201cmini-game-style event.\u201d<\/span><\/p>

What was supposed to be \u201cjust make the mansion reasonable\u201d has turned into me going absolutely all-in.<\/span><\/p>

I probably even had the \u201cI did it!\u201d look on my face.<\/span><\/p>

\u00a0<\/span><\/p>

Is this the right path\u2026?<\/span><\/p>

Or have I once again thrown myself headfirst into yet another swamp?<\/span><\/p>

\u00a0<\/p>

Time is running out, and yet my desire to refine every detail only grows.<\/span><\/p>

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Day 90 of Development \u2014 in November \u2013 [Series] Come on Over to KEDOUIN\u2019s Crossing <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Let me introduce one of the friends living in KEDOUIN\u2019s Haunted House (a.k.a. the Collection Room).<\/p>

From Mezco Toyz\u2019s adorable yet dark Living Dead Dolls series\u2014hereafter LDD\u2014this is my custom Ayumi Shinozaki LDD.<\/p>

I dressed her in the Corpse Party school uniform and styled her hair to match the character.<\/p>

With help from Picnic, a creator of original doll clothing, she became one of the cutest dolls in my entire collection.<\/p>

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I even made a belt wrapper for her! \u2014 This is a custom piece.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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As the name suggests, LDD is a series of charming yet terrifying zombie dolls, each coming with its own wonderfully tasteless (I say that with love!) certificate describing its cause of death.<\/p>

There are so many fascinating dolls in the lineup, so please look them up and welcome your favorite little zombie into your home.<\/p>

I highly recommend falling into this particular swamp!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 94 of Development \u2014 in November \u2013 Continuing: Let\u2019s Make a Mini-Game <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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My main work is, broadly speaking, writing \u201creadable scenarios.\u201d I\u2019m not a \u201cmini-game craftsman,\u201d a person with that special flair and clever creativity required for mini-games.<\/p>

\u2026Not really.

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But then Mr. Sugiuchi saw my \u201cmansion mini-game-style event\u201d and started leaning in with these strangely sparkling eyes.<\/p>

\u00a0<\/p>

\u201cThis is fun. I want more of it (side glance, side glance)\u201d<\/p>

\u00a0<\/p>

\u2026A blatant form of pressure. Total pressure.<\/p>

\u2014Harassment!

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For a brief moment, that word even crossed my mind. But of course, it wasn\u2019t that. Receiving \u201cfeedback\u201d to make something more fun is a way to feel the warmth of empathy in indie game development, which can otherwise feel so lonely.<\/p>

Suddenly, I was fired up. Everyone, I highly recommend finding someone nearby who will \u201cwatch\u201d and \u201cpraise\u201d your work.<\/p>

\u00a0<\/p>

So, KEDOUIN faced the \u201charassment.\u201d<\/p>

Saying \u201cI can\u2019t\u201d wasn\u2019t an option. Couldn\u2019t say it. So\u2026 I had to do it.<\/p>

That said, mini-games come in endless genres.<\/p>

Action? Rhythm? Exploration?<\/p>

After tossing around several ideas, I finally settled on creating a \u201clittle puzzle.\u201d<\/p>

\u00a0<\/p>

\u2014But that turned out to be hard.<\/p>

After all, I\u2019m a humanities guy (totally irrelevant, of course). Simple, short, and fun\u2014such a convenient puzzle isn\u2019t exactly easy to invent\u2026

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Time for the last resort.<\/p>

Team leader Mr. Nagai\u2014summoned!<\/p>

In no time, I received precise advice and the mini-game finally started to take shape.<\/p>

\u00a0<\/p>

\u2014Mr. Nagai, you are a god.<\/p>

\u00a0<\/p>

And so, the new mini-game is finally complete.<\/p>

Please give it a try in the main game. Enjoy!<\/p>

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Day 99 of Development \u2014 in November \u2013 Controlling the World\u2019s Will: Rendering Settings <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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The amazing thing about Bakin is that even the same map can look completely different with just a single change in rendering settings.<\/p>

Adjust the shadow intensity and the atmosphere becomes heavy and oppressive. Crank up the bloom and it turns dreamy. Increase the fog and suddenly everything feels ominous\u2026<\/p>

A daytime forest can become a \u201cgentle otherworld\u201d or a \u201ccursed forest.\u201d The possibilities for visual storytelling are endless.

<\/p>

In this project, the characters are cute pixel art, but the story is relatively serious.<\/p>

It\u2019s the same narrative grammar as Corpse Party.<\/p>

So there can be no compromise on the world\u2019s \u201catmosphere.\u201d<\/p>

I twist and tweak every rendering option\u2014fog, shadows, ambient light, bloom, depth of field\u2014searching for the perfect mood. It\u2019s a journey of obsession.

<\/p>

Even if I think, \u201cThis is it!\u201d late at night, the next morning I often find myself thinking, \u201cHmm\u2026 I want it a little darker\u2026\u201d or \u201cNo, maybe I want more clarity instead\u2026?\u201d<\/p>

And just like that, I\u2019m dragged into a new swamp.<\/p>

Especially balancing fog color and ambient light intensity has gone beyond a swamp\u2014it\u2019s practically an ocean. Even a small change can make it feel like an entirely different game.<\/p>

This feature lets me express the meaning, the intent, and the very essence of the world itself.<\/p>

\u00a0<\/p>

Before I knew it, I realized I\u2019d spent more time adjusting rendering settings than implementing the main events\u2026!<\/p>

\u00a0<\/p>

But all of this is so that players truly feel that the protagonist is living in this world the moment they appear.<\/p>

Today, once again, I wrestle with every rendering parameter!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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An unsettling meal<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Day 100 of Development \u2014 in November \u2013 Dialogue <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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They say a work of art doesn\u2019t need the author\u2019s message, and that it\u2019s best if no trace of the creator\u2019s feelings lingers.
So I\u2019ll quietly share this only with you, the reader of this series: creating a game\u2014or any work of art\u2014is in many ways like a dialogue between the creator and the audience.
How will you feel about this world? How deeply will you read between the lines? Will you come to like this character\u2014or perhaps despise them?
This time as well, I\u2019ve packed countless riddles and inverted emotions into words, tossing them out into the world.<\/p>

With REINES DU SABBAT Queen of Sacrifice, I hope the hearts of those who receive it will stir, even just a little, in a dramatic way.
It will be in your hands soon\u2014please look forward to it!<\/p>

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

\u3082\u3063\u3068\u4f5c\u308a\u305f\u3044 vs \u6642\u9593\u304c\u306a\u3044\uff01 \u5236\u4f5c\u73fe\u5834\u306e\u632f\u308a\u8fd4\u308a<\/a><\/h3>

\u7941\u7b54\u9662\u614e\u306e\u4e00\u4eba\u89aa\u65b9\u30b2\u30fc\u30e0\u5de5\u623f \u958b\u767a\u30d6\u30ed\u30b0\u300cMade with RPG Developer Bakin\u300d\u7b2c6\u56de […]\n<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

\u300c\u629c\u3051\u308d\uff01\u30de\u30b9\u30bf\u30fc\u30a2\u30c3\u30d7\uff01\u300d\uff08\u958b\u767a100\u65e5\u76ee\uff09<\/a><\/h3>

\u7941\u7b54\u9662\u614e\u306e\u4e00\u4eba\u89aa\u65b9\u30b2\u30fc\u30e0\u5de5\u623f \u958b\u767a\u30d6\u30ed\u30b0\u300cMade with RPG Developer Bakin\u300d\u7b2c\uff15\u56de […]\n<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n

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Categories<\/span>Made with RPG Developer Bakin<\/a>, \u30d6\u30ed\u30b0<\/a><\/div>

\u300c\u30b2\u30fc\u30e0\u4f5c\u308a\u3082\u3001\u30b5\u30d0\u30c8\u307f\u305f\u3044\u306a\u3082\u306e\u3060\uff01\u300d\uff08\u958b\u767a80\u65e5\u76ee\u30fb\u7761\u7720\u4e0d\u8db3\uff09<\/a><\/h3>

\u7941\u7b54\u9662\u614e\u306e\u4e00\u4eba\u89aa\u65b9\u30b2\u30fc\u30e0\u5de5\u623f \u958b\u767a\u30d6\u30ed\u30b0\u300cMade with RPG Developer Bakin\u300d\u7b2c\uff14\u56de […]\n<\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n <\/div>\n

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